The Sketch Show
© 2001 Avalon Television
Back in 2001, Lee Mack & Tim Vine co-wrote and starred in The Sketch Show - an irreverent and sharply funny collection of skits also starring Jim Tavaré, Karen Taylor, Kitty Flanagan, and Ronni Ancona.
ADDED: | CLIPS: 20
WARNING: ADULT CONTENT!
PLAY ALL 20 CLIPS |
Clip 1 S01 E01 |
If you've ever had cause to speak to a counsellor, a good counsellor, you'll thank your lucky stars that you didn't get this absolute monster to confide in. |
Tim |
I dunno... it wasn't 'til I nearly died I realised I needed help. And... |
[Breaks down crying] |
...that's why I'm here. |
Counsellor |
It's okay, Tim. Don't cry. Here, have a tissue. There you go. All right? Now, I hear what you're saying, Tim and it sounds to me like this... |
[The COUNSELLOR adopts a ridiculous childish crying voice as she mocks her client] |
Oh, no... oh, my mum left me. Oooh, I took loads of drugs and drink. Oh, boo hoo hoo, I nearly died! |
Clip 2 S01 E01 |
If an undertaker calls at your home asking to collect YOUR body, one of two things has happened. Either there's been a massive mistake... or you're married to a fu*king psychopath. |
[Two UNDERTAKERS in traditional dress approach the front door of a house and press the door bell] |
George Stanton |
Yes? |
Undertaker #1 |
Hello. We've come to collect the body of George Stanton. |
George Stanton |
You're a bit early, actually. |
Undertaker #2 |
Do you mind if we wait? |
George Stanton |
No, I mean you're very early. I'm George Stanton. |
Undertaker #2 |
Sorry. |
[As the UNDERTAKERS turn to leave, they're approached by a woman concealing an axe behind her back] |
Woman |
Hi. Um, can you come back in ten minutes? |
[Opening the door and calling to GEORGE] |
I'm home, darling. |
Clip 3 S01 E01 |
If your partner decides it's time to share secrets, be careful what you declare. Or, better still... don't keep secrets from your partner. Be open and honest about everything. |
Man |
Sweetheart... we've been married for nine years. I really want you to know everything about me. |
Woman |
I do, don't I darling? |
Man |
Well, I've got a secret. Something about me you don't know and I want to tell you. |
Woman |
Actually, I'm glad you said that because I've got a secret, too. |
Man |
Have you? |
Woman |
Yeah. And I think you're right. We should know everything about each other. |
Man |
Yeah, well I... I - |
Woman |
- No. Let me start, though. |
Man |
Okay. |
Woman |
Um... about five years ago, I had an affair with your brother. It only lasted a week and then that was it. So, what's your secret? |
Man |
I collect old coins. |
Clip 4 S01 E01 |
One expects Paramedics to have some form of patience and empathy. And most of them do. But spare a thought for these underpaid, overworked heroes who are sometimes pushed to their limits. |
Paramedic |
Okay, what happened? |
Lee |
I came off me motorbike. I think I've broken me leg. And me right arm... I can't feel it. And there's a shooting pain up the side of my head. |
Paramedic |
Okay, I hear what you're saying. And it sounds to me like this... |
[The PARAMEDIC adopts a ridiculous childish crying voice as she mocks her patient] |
Oooh, oooh, nooo. I fell off me bike. Oooh, oooh, nooo, I've hurt me leg. Oooh, and me arm hurts! |
Clip 5 S01 E01 |
Did you ever call one of those premium rate sex lines back in the 1990s? No. Me neither. So I have absolutely no idea how accurate this is. |
Recording |
Hello. And welcome to Lust Line. We're going to hook you up with some of the sexiest ladies in town. And don't forget that these ladies are very, very open-minded. So, if you don't want hot, steamy sex talk, then hang up now. Okay, we're putting you... through! |
Karen |
Hello, my name's Karen, Who'm I talking to? |
Dave |
Hi. My name's Dave. |
Karen |
All right, Dave? How's it going? |
Dave |
Yeah, not bad. |
Karen |
Good. |
Dave |
So, uh... what are you wearing, Karen? |
Karen |
Bra, knickers, shoes... and a hat. And I wish you were here to see it, Steve - |
Dave |
- Dave. |
Karen |
Dave. |
Dave |
Yeah? Why's... why's that? |
Karen |
'Cause if you were here, I'd snog ya. |
Dave |
Right. And... and then what? |
Karen |
We'd go clubbing. |
Dave |
Okay... |
Karen |
And after that, I'd snog ya again. |
Dave |
Is it possible to speak to somebody else? |
Karen |
After that... I'd go to bed w'ya. |
Dave |
Oh, yeah? What would happen in bed? |
Karen |
We'd have it off. |
Dave |
And what would that involve... exactly? |
Karen |
Well... you'd get in the bed. |
Dave |
Right... |
Karen |
And then I would. |
Dave |
Go on... |
Karen |
Then we'd turn the lights out. |
Dave |
Yeah? |
Karen |
And then... we'd have it off. |
Dave |
Can I call Joanne, I usually speak to? |
Karen |
Hang on, there's more. We'd be joined by my flatmate... who's a girl. |
Dave |
Oh, yeah? |
Karen |
And she'd walk over to your side of the bed... and she'd whisper in your ear, "I want to touch your... legs!" |
Dave |
Right. And... |
Karen |
And then she'd have it off w'ya, too. |
Dave |
I really wanna speak to Joanna, please. |
Karen |
And then snog ya. |
Dave |
Yeah, goodbye! |
Clip 6 S01 E01 |
Just why did pirates have parrots? Was it the loneliness at sea? The companionship? Their abilities as an early form of Dictaphone™? Because it must surely have back-fired at some point. |
Pirate |
Happy Valentine's Day my sweet-hearty! |
Pirate's Wife |
Oh Tim, you remembered! |
Pirate |
Of course I remembered. I said to myself - |
Parrot |
- I must remember to buy my wife some flowers. |
Pirate |
That's right. That's what I said. He always remembers what I said. So I went down the local flower shop and I said to the owner - |
Parrot |
How much are your chrysanthemums? |
Pirate |
That's right. That's what I said. Yes. He said, "They're twenty-five pieces of silver." I said - |
Parrot |
I'll take 'em. |
Pirate |
That's right. That's what I said. I said, "I'll take 'em." I said, "My wife's worth every penny." |
Parrot |
That should keep the old trout happy. |
Pirate |
I never said that. |
Clip 7 S01 E02 |
You know that irritating pr**k at work who's always after sponsorship or who has a petition to sign? If so, you'll love this clip. If not, I'm afraid to say that the aforementioned pr**k... is you! |
Tim |
Hey! Who wants to sponsor me? |
Lee |
What's it for? |
Tim |
I'm going to go up Mount Kilimanjaro. |
Ronni |
Oh, wow. That sounds amazing. I'll sponsor you. |
Jim |
Me, too. |
Karen |
I'll give you something. |
Jim |
How much are you hoping to raise? |
Tim |
Oh, hopefully about three-thousand pounds and that'll go towards all flights to and from Africa, provisions and stuff like that. |
Lee |
What charity is it in aid of? |
Tim |
How d'ya mean? |
Lee |
What's the money going towards? |
Tim |
Well, I just told you. Flights, provisions, hotels, cable car tickets... |
Lee |
Cable car tickets? |
Tim |
Listen... it's the biggest mountain in Africa. I'm not going to walk it. |
Karen |
That's not the point, Tim. Is there a charity involved, or not? |
Tim |
No, there isn't. No. |
Karen |
Well, then you're not having our money. |
Tim |
Who wants to buy a raffle ticket? |
Group |
NO! |
Tim |
Oh come on, guys. I've got to raise the money somehow. |
Ronni |
All right. Run through some of the prizes. |
Tim |
Run through some of the what? |
Clip 8 S01 E02 |
Ah, the good old days before mobile and IP phones. When your landline was all you had. And you needed a specific machine to handle messages. Remember those dark, distant days? Yeah. Me, too! |
Ronni |
Ooh, wait. Hang on. What if people need to contact us? |
Lee |
I knew you'd start panicking. So that's why I bought... an answering machine. |
[LEE presses the "Record OGM" button on the machine] |
We're not here at the moment. Please leave your message after the tone. |
Ronni |
Right. Okay. But we're away for two weeks. People will think we're rude for not replying straight away. |
[LEE presses the "Record OGM" button on the machine] |
Lee |
We're on holiday and won't be back until the seventeenth of November. Please leave your message after the tone. Right. Come on. Let's go. |
Ronni |
But what if a burglar rings? |
[LEE presses the "Record OGM" button on the machine] |
Lee |
We're on holiday until the seventeenth of November. Please leave your message after the tone and our mate, Big Mental Frankie who's staying here, will pass it on. |
Ronni |
But now people will think we're rude for not replying to the messages that Big Mental Frankie passed on. |
[LEE presses the "Record OGM" button on the machine] |
Lee |
We're away on holiday and won't be back until the seventeenth of November. Please leave your message after the tone and our mate, Big Mental Deaf Frankie who's staying here will pass it on. |
Ronni |
So now how's he going to hear burglars breaking in? |
[LEE presses the "Record OGM" button on the machine] |
Lee |
We're away on holiday and won't be back until the seventeenth of November. Please leave your message after the tone and our mate, Big Deaf Mental Frankie, who's staying with us will pass it on unless he's taking his dog, who's a big, nasty, vicious bugger, for a walk - |
Ronni |
- But if he's out - |
Lee |
In which case, just ring back in a few moments because he's never gone for very long. |
Ronni |
But the burglars might then break in. |
Lee |
Look, it doesn't matter. We haven't got anything worth nicking. |
Ronni |
Well, the answering machine's new. |
Lee |
FINE! We'll take it with us! Shall we go?! |
Clip 9 S01 E02 |
We all have that one friend who documents every tedious moment of his life on camera and then insists on showing us the photographs, don't we? No? Nobody spring to mind? Then it's you! |
Jim |
That's my son, taken last year when he was eight. |
Tim |
Oh, right. |
Jim |
That's him as a tiny baby. |
Tim |
Ha! He definitely looks like you, doesn't he? |
Jim |
Yeah, chip off the old block. No hair and all that. Yeah. That's the birth. They let me take photos. That's my wife, eight months pregnant... in the bath. |
Tim |
Do you mind me looking at these, Jim? |
Jim |
No. Why should I mind? That's us... at the conception. |
Tim |
Conception? I... I'm not sure about this. |
Jim |
Now, that's me on my own. In bed, with a copy of Razzle. |
Tim |
I don't wanna know about that, thank you. |
Jim |
That's my mum and dad conceiving me. My grandparents having sex in an air-raid shelter. |
Tim |
Jim... this is awful! |
Jim |
Oh, I know how you feel. Other people's photos aren't nearly as interesting as your own. That's you and your wife in the shower... |
Clip 10 S01 E02 |
Exploring the strengths and weaknesses of your fellow students is a fundamental part of group work. When this group from an English class meet in the canteen, they discover all sorts of things! |
Jim |
Hi! Aren't we all on the same English course? |
Karen |
Oh, yeah. How's it going? |
Jim |
Not bad but I sometimes have trouble with grammar, isn't it? |
Karen |
Really? |
Jim |
Sometimes they're spot on and other times I don't, aren't they? |
Lee |
I'm all right with my grandma. My problem is spilling. Can't spill to save me loaf. Have to rely on the spillchock on me compluter. |
Karen |
Don't worry about it too much. I'm sure you'll be treated with a lot of understanding and comPASSION! |
Lee |
Right. I've got problems with me spilling, not me herring. |
Jim |
She has trouble with her punctuation, isn't it? |
Karen |
Yeah, sorry. I sometimes put an exclamation mark at the end by misTAKE! |
Ronni |
It's all right for you lot, I've got a very small vocabulary. |
Tim |
What's that like? |
Ronni |
It's all right for you lot. I've got a very small vocabulary. |
Tim |
Sometimes I have trouble with my em-PHA-sis. |
Karen |
Your em-PHA-sis? |
Tim |
Yes, various different parts of sen-TEN-ces. In my job that can cause quite a lot of aw-KWARD-ness. |
Lee |
What do you do? |
Tim |
I'm a speech ther-A-pist. |
Lee |
A speech therapist who can't spike priperly? I'm surprised your boss hasn't sucked you. |
Ronni |
It's all right for you lot. I've got a very small vocabulary. |
Tim |
Look, can I make a SU-ggestion? Why don't you pur-CHASE a diction-ARY? You'll save yourself a lot of embarr-ASS-ment. |
Jim |
I know! We can all try studying together, isn't it? How doesn't next week sound? |
Karen |
Good iDEA! |
Tim |
Fab-U-lous! |
Ronni |
It's all right for you lot - |
Group |
SHUT UP! |
Clip 11 S01 E02 |
It was about time Quasimodo got his revenge on those who'd point and laugh at him. Esmeralda, for instance. I mean, forget the romance - she was probably doing it for a bet, right? |
Esmeralda |
Are you the one they call Quasimodo? |
Quasimodo |
Yes, I am the bell ringer. |
Esmeralda |
I've come to meet you. I am - |
Quasimodo |
- I know who you are. You are beautiful and I am ugly. |
Esmeralda |
I care not what you look like. Please turn round. |
Quasimodo |
No! I am a beast. |
Esmereld |
You're not a beast. You're a man. A man with a soul. And through your eyes I shall see that soul. Then, I shall judge your beauty. |
[QUASIMODO reluctantly turns to face ESMERALDA] |
Esmeralda |
Oh... my... GOD! Can you turn around again, please?! |
Quasimodo |
Could one so beautiful learn to love one so ugly? |
Esmeralda |
Mmmm... no. |
Quasimodo |
I warned you I was ugly. |
Esmeralda |
Yeah, well there's ugly and there's ugly but that's just taking the p*ss. |
Quasimodo |
Yes, but what about the - |
Esmeralda |
-Yeah, not too close, please. |
Quasimodo |
Yeah, all right. You're not so great yourself you know, love. |
Esmeralda |
Huh! At least both my eyes look in the same direction. |
Quasimodo |
Yeah, that's because my eyes are trying to avoid making contact with your face! |
Esmeralda |
Yeah, well at least I don't spend all of my time cooped up in a bell tower, you freak! |
Quasimodo |
Yeah? Well, I'm not the one who came up here looking for a fella I've never even met, you slag! |
[Rings the bell again] |
THE BELLS! |
Clip 12 S01 E02 |
I've never played Bingo. Never had the desire to, either. But I MIGHT be tempted to join the "wrinklies" and their dabbers if the caller was a little bit more like this guy. |
Bingo Caller |
Robbed a house... number five. Little old lady... eighty-six. She called the cops... nine nine... nine. Got hit in the jaw, lost some teeth... three. Got away in a flash at the stroke of... twelve. Hijacked a bus... the number forty-seven. Cops pulled me over, doing... sixty-five. Sentenced by the judge... got eight. The wife moved in the Stan who she left me... four. On it's own... me. |
Clip 13 S01 E03 |
Imagine having an embarrassing personal secret... something intimate and sexual. Now imagine accidentally broadcasting that secret to your entire workforce. How awkward would that be?! |
Lee |
Okay, team. Mister Vine called this meeting last night. I've absolutely no idea what it's about but I must warn you... he did seem very, very concerned. |
Marcia |
I have Mister Vine on the line for you now. |
Lee |
Okay thanks, Marcia. Put him through. |
Mr. Vine |
Hi, Lee. |
Lee |
Hi, Tim. So, what was it you wanted to say? |
Mr. Vine |
Look, I'll get straight to the point. There's something very serious I have to tell you. I know I'm your boss, but I regard you as a friend. I've been doing something I shouldn't have. Something wrong. |
Lee |
Look, Tim do you think this is the right time? |
Mr. Vine |
No, I want to. The thing is... I like knickers. I like wearing knickers. Women's knickers. And tights. My wife doesn't know but when she's out, I slip upstairs, put on her underwear and pretend I'm called Agnes. |
Lee |
Look - |
Mr. Vine |
I even wear them to work. You know that Health & Safety talk I gave to the staff last week? I did it wearing pop-socks, peekaboo bra and camisole panties. I had to tell somebody, I'm going insane! Just please remember what I said last night, Lee. I need to tell you this in confidence. |
Lee |
I'm sorry, Tim. I thought you said in conference. |
Clip 14 S01 E05 |
I Can't Believe It's Not Butter™. Predecessor to Surely These Are Pineapple Chunks, Aren't They? and Bollocks. This Is Custard Powder And I'll Deck Anyone Who Says It Isn't. |
Customs Officer |
Hello, Madam. And where have we just arrived from? |
Woman |
Amsterdam. |
Customs Officer |
Now, are you aware it is forbidden to bring any dairy produce in from Holland? |
Woman |
Oh yes, yes. |
Customs Officer |
[Pulling a tub of margarine from her suitcase] |
What's this? |
Woman |
Uh, it's... a tub of I Can't Believe It's Not Butter. Look please don't arrest me. I won't do anything like this again, I... |
Customs Officer |
It's all right, Madam. It's not butter. It's I Can't Believe It's Not Butter! |
{He pulls a bag of white powder from the suitcase] |
Now, what have we here? |
Woman |
It's... it's... nothing. |
Customs Officer |
[Reading from the bag] |
I Can't Believe It's Not Heroin. I think everything's in order there, Madam. |
Clip 15 S01 E05 |
Tim Vine is king of the one-liners. And he peppered this show with them. This is yet another sketch written around one of his famous gags. And it's a belter. |
Ronni |
Oh, my goodness! Tim, what have you done? |
Tim |
I broke both my legs. |
Ronni |
How did you do that? |
Tim |
Tried to hang myself with a clip-on tie. |
Clip 16 S01 E05 |
We've all seen those brightly coloured posters outside churches with bold statements. Well how about these? How do you like these apples?! |
Bishop |
Right. Poster campaign. As I've said before, we want provocative, we want contentious. Reverend, what have you got for us? |
Reverend Ancona |
Well, I thought long and hard about what you said, and I came up with this. |
Bishop |
Yes. Good but, uh... I wonder can we, uh... push it a little further? |
Reverend Mack |
'Course we can. |
Bishop |
Yes, good. I like it but I still wonder can't we... nudge it that little bit further? |
Reverend Ancona |
I think so... |
Bishop |
Excellent. I think that might be the one. |
Reverend Mack |
No, wait a minute... |
Bishop |
Yes, listen now you're talking.That certainly packs a punch. That'll be the one we use. |
Reverend Ancora |
Hang on, hang on... |
Reverend Mack |
JESUS GAVE HIS BLOOD SO BLOODY WELL GIVE TO JESUS! |
Reverend Ancora |
YOU! YES, YOU! GET IN THIS CHURCH NOW. GET ON YOUR KNEES AND PRAY. OR YOU'RE DEAD! |
Reverend Mack |
HEY, UGLY! YOU DON'T BELIEVE IN GOD AND THAT'S WHY YOU'RE UGLY, YOU UGLY GET! |
Reverend Ancora |
LET'S NOT BE A**HOLES, LET'S SAVE OUR SOULS! |
Reverend Mack |
RIGHT! STOP TITTING ABOUT, NOBHEAD. OR YOU'LL GO TO HELL! |
Clip 17 S01 E06 |
A fine play on words this one. Enjoy it. It's Tim Vine at his quick-witted best. |
Jim |
Howdy, Tim. Mandy says meet her at Epsom Clock Tower by sundown. Ya'll make sure you're there. |
Karen |
What was that? |
Tim |
It was a Tex message. |
Clip 18 S01 E06 |
We've all been asked those questions. Is this your case? Did you pack it yourself? Could anyone have interfered with it? Here's a man who is adamant that he is responsible... for the drugs inside! |
Customs Officer |
Did you pack this case yourself, sir? |
Tim |
Yes. |
Customs Officer |
Are you absolutely certain about that? |
Tim |
Absolutely certain. |
Customs Officer |
There's no way someone could have slipped something in there? |
Tim |
No way, at all. |
Customs Officer |
You haven't left it unattended for any length of time? |
Tim |
No. It's been by my side from the moment I packed it to the moment you brought me in here. Nobody has touched this case except me. I decided what to put it in. Everything in it belongs to me. |
Customs Officer |
You're sure? |
Tim |
Totally sure. |
Customs Officer |
May I have a look inside it, sir? |
Tim |
I'd rather you didn't. |
Customs Officer |
Why not? |
Tim |
It's full of drugs. |
Clip 19 S01 E06 |
For the record, dads... Freddy Krueger is NOT a suitable character for a bedtime story. But if you want to get out of telling bedtime stories, let your wife overhear this abomination! |
Lee |
[Tucking his young daughter into bed] |
There you go. |
Daughter |
Daddy, will you tell me a bedtime story? |
Lee |
'Course I will. Once upon a time there was a man called Freddy Krueger - |
Wife |
I'll do it! |
Clip 20 S01 E07 |
Imagine what rude words and phrases one could create by chop-editing the names of London Underground Stations? FromUp The Arse to whatever your twisted imagination can conjure up. |
Director |
Now you know why you're here today, don't you? Your voice will be an integral part of our overall improvement of London Underground. So, let's make a start, shall we? You should find the script in front of you. |
Voice Artist |
Yes, I've got it, thanks. |
Director |
I'll guide you through it but any problems, let me know. I think you should find it's fairly straight forward. |
Voice Artist |
Okay. |
Director |
So, here's the first one... Finchley. |
Voice Artist |
Finchley. |
Director |
Bit more bold and definite if you will. |
Voice Artist |
Finch-ley. |
Director |
Excellent. So let's do all the Finchleys now. East. |
Voice Artist |
East. |
Director |
West. |
Voice Artist |
West. |
Director |
Central. |
Voice Artist |
Central. |
Director |
Now if you could just give me Clapham. North. South. |
Voice Artist |
Clapham. North. South. |
Director |
Common. |
Voice Artist |
Common. |
Director |
Tart. |
Voice Artist |
Tart. |
Director |
Now if you could just say, "This train terminates at..." |
Voice Artist |
This train terminates at... |
Director |
Morden. |
Voice Artist |
Morden. |
Director |
High Barnet. |
Voice Artist |
High Barnet. |
Director |
Edgware. |
Voice Artist |
Edgware. |
Director |
Spreadham. |
Voice Artist |
Spreadham. Spreadham? |
Director |
It's very definite on that one. It's the end of the line. Spreadham. |
Voice Artist |
Spreadham. |
Director |
That's more like it. |
Voice Artist |
I haven't heard of that station. |
Director |
Okay, moving on. Let's hear you say, "This train is for..." |
Voice Artist |
This train is for... |
Director |
Elephant & Soapy Lather. |
Voice Artist |
Elephant & Soapy Lather? I can't say that. |
Director |
It's fine. It sounded good. Now... Wood Green. |
Voice Artist |
Wood Green. |
Director |
If you could emphasise the woo on that. |
Voice Artist |
Woo-ood Green. |
Director |
Now... Bank. |
Voice Artist |
Bank. |
Director |
But more on the ank. |
Voice Artist |
Ank. |
Director |
Upminster. Stress the Up. |
Voice Artist |
Up-minster. |
Director |
The Oval. |
Voice Artist |
The Oval. |
Director |
Arsenal. |
Voice Artist |
Arsenal. Uh, I'm not sure about this. |
Director |
We're on the home stretch now. Hackney Wick. |
Voice Artist |
Hackney Wick. |
Director |
Shepherd's Bush. |
Voice Artist |
Shepherd's Bush. |
Director |
Just one more thing... C*ckfosters. |
[The VOICE ARTIST storms out] |
It's on the Piccadilly Line! |