16 MP3 Audio clips from Three Men and a Little Lady (1990)
Mary (Robin Weisman) is now an adorable five-year-old and her mother, Sylvia (Nancy Travis) is an actress who's about to fall under the spell of a slimy British director. Can Michael (Steve Guttenberg), Peter (Tom Selleck) and Jack (Ted Danson) stop their Little Lady from being taken from them to start a new life in England? Some cracking dialogue in this under-rated and charming family comedy.
Mary (Robin Weisman) is now an adorable five-year-old and her mother, Sylvia (Nancy Travis) is an actress who's about to fall under the spell of a slimy British director. Can Michael (Steve Guttenberg), Peter (Tom Selleck) and Jack (Ted Danson) stop their Little Lady from being taken from them to start a new life in England? Some cracking dialogue in this under-rated and charming family comedy.
Peter has been shaving with the assistance of Mary. Sylvia comes in to the bathroom to usher Mary to breakfast.
Peter Mitchell
Hey, did you get that review I put on your desk?
Sylvia Bennington
Yes, I got it. Thank you.
Peter Mitchell
I loved seeing that guy eat crow after what he said about you in Doll's House.
Sylvia Bennington
Peter, don't you think you take my reviews a little too personally?
Peter Mitchell
No, I don't think so.
Sylvia Bennington
Well it seems every time we're in a restaurant and you see a critic you want to throw your butter knife at him.
Peter Mitchell
I would've got the last guy if he hadn't moved.
Sylvia Bennington
Hmmm.
Clip 2
Children say the darndest things. Usually because they've overheard an adult say them. A lesson that Peter should have learned by now.
Sylvia Bennington
Mary, don't you like your oatmeal?
Mary Bennington
It tastes like rubber.
Michael Kellam
It's supposed to taste like rubber.
Mary Bennington
What a crock!
Sylvia Bennington
Hey, where did you hear that expression?
Peter Mitchell
[On the phone to a colleague]
What a crock!
[He hangs up]
What? What'd I do?
Clip 3
The three dads, Sylvia and Mary are celebrating her successful application to their chosen school with a meal at a riverside restaurant. Mary asks a perfectly valid question but her timing is a little off!
Michael Kellam
Anything you want, Mar. Money's no object.
Peter Mitchell
The hamburgers look great.
Waitress
What can I get for you?
Mary Bennington
Do you have a penis?
[A shocked silence ensues]
Michael Kellam
Can we hear your specials please?
Peter Mitchell
This table is a little wobbly here.
Sylvia Bennington
Uh, give us a minute, please.
[She waits for the waitress to leave and turns to MARY]
Mary, that's a very adult word. Where did you hear it?
Mary Bennington
Jenny says her father and her brother have a penis. What is it?
Sylvia Bennington
Peter, you're the architect. Why don't you explain it to her?
Peter Mitchell
[Nervously]
The... penis is the urinary and the copulatory organ of the male mammal. It's composed primarily -
Sylvia Bennington
Thank you.
Peter Mitchell
WHAT?!
Michael Kellam
Did you memorise that?
Sylvia Bennington
I bet he says that to all the girls! Mary and I are going to wash our hands.
[SYLVIA leads MARY off in the direction of the bathrooms]
Clip 4
The gang are having a conversation about relationships.
Peter Mitchell
Nothing shakes up a relationship like marriage.
Michael Kellam
Marriage? Who said anything about marriage?
Sylvia Bennington
Hey, hey, hey, I don't know if I like this attitude around Mary.
Mary Bennington
How come none of you are married?
Men (in chorus)
Ooooh, ummmmmm...
Michael Kellam
I'd like to get back to that question about the penis.
Peter Mitchell
Yeah, we never did cover that did we?
Sylvia Bennington
Come along, Darling before you're permanently warped.
Clip 5
Michael has made the mistake of breaking the rules and 'entertaining' a girlfriend when he was meant to be looking after Mary. Mary reacts just as any child would. By acting up.
Peter Mitchell
Mary, I told you to turn off the television and go to sleep.
Mary Bennington
No!
Michael Kellam
Mary...
Peter Mitchell
You know we leave her with you for a couple of hours and she's crazy, Michael.
Michael Kellam
Hey, don't blame me. She's going through some weird phase.
Peter Mitchell
Well it's no different than before.
Michael Kellam
Oh it's a lot different I'm telling you. Things have gotta change around here.
Peter Mitchell
Yeah, I heard you. Now give me that remote control and go to sleep.
Mary Bennington
No!
Michael Kellam
It's not healthy for a guy to get that excited and have to stop. It's bad for my heart. She wouldn't stop...
Peter Mitchell
Give me that remote.
Michael Kellam
...bothering us all night. Laurie finally left.
Peter Mitchell
That's it, I'm pulling the plug.
Michael Kellam
I'll probably never see her again. I've got a life too, you know.
Peter Mitchell
[In pulling the plug, he manages to topple a standard lamp and knock a doll down from a chest of drawers onto his head]
SH*T!
Mary Bennington
You said the S-word.
Peter Mitchell
No I didn't...
[He pulls the power cord and gives himself an electric shock]
AHHH, SH*T!
Michael Kellam
Pete. Are you listening to me?
Peter Mitchell
No. I'm electrocuting myself!
Sylvia Bennington
[Making a sudden appearance to restore calm]
What is going on here?
Clip 6
Things have calmed down but there are some serious issues that need to be addressed. Stability is needed. Jack decides to step up to the plate.
Jack Holden
You wanna marry me?
Peter Mitchell
Jack. Be serious.
Jack Holden
I am being serious. I mean we had a child together for goodness sake. What do you say? You wanna sleep on it?
Michael Kellam
She did that once before, Jack.
Jack Holden
Hey, shut up!
Clip 7
Peter has come to the theatre to speak privately to Sylvia. He confides that he was married once before. Shocked, she asks him if anyone else knows.
Peter Mitchell
My ex-wife has a dim recollection.
Sylvia Bennington
Obviously it was a wonderful experience for you.
Peter Mitchell
One that can never be equalled. Not without bloodshed anyway.
Clip 8
Sylvia has some big news. She's been rehearsing it. But when she enters the kitchen, she's pipped to the post by Jack's complaint that they've run out of milk.
Jack Holden
Oh, no. Uh, Sylvia there's no more milk.
Sylvia Bennington
I'm getting married.
Jack Holden
Don't overreact. I can get some milk.
Clip 9
Edward is trying his best to be charm personified. But for all of his wit and compliments, Peter can see right through him.
Edward Hargreave
Jack. How are you?
Jack Holden
Well, unemployed.
Edward Hargreave
I always meant to explain why I didn't cast you when you auditioned for me.
Jack Holden
You don't, you don't have... it's all right.
Peter Mitchell
Why didn't you?
Jack Holden
No, no, no, that's all
right.
Edward Hargreave
Well I, well I realised that Jack is far too... large an actor for that part. You see, your comic expertise would have thrown the whole play out of balance. I loved your last commercial, by the way. Fabulous.
Jack Holden
Oh, yeah, the laxative one?
Edward Hargreave
You were hysterical.
Jack Holden
I don't, I don't wanna sound conceited or anything but you know a lot of people say that when they watched it they really believed that I was constipated.
Edward Hargreave
As I did. Truly.
Jack Holden
Hey thanks. That means a lot to me.
Sylvia Bennington
I think we need drinks.
Peter Mitchell
[After EDWARD walks past]
I think we need shovels.
Clip 10
It's Peter and Michael's first night at Broughton Castle. Peter has convinced Michael that black tie is the appropriate dress code. He was wrong.
Vera
Has someone died?
Michael Kellam
Not yet.
Clip 11
Peter (whom I should explain is an architect) is watching a marquee being erected outside the castle when Elspeth Lomax, who has a crush on him, creeps up behind him.
Elspeth
Not so splendid as your mighty erections I imagine.
Clip 12
Peter has had to take refuge in a cupboard when a reconnaissance mission to Pileforth Academy ends in Elspeth Lomax getting suspicious. Sadly, she finds him.
Peter Mitchell
Sometimes a man has to be alone.
Elspeth
And sometimes he needs companionship.
Peter Mitchell
Oh, wait, no, look, I'm sorry. Look I, I gotta be totally honest with you. Let's just lay it out, right on the table...
Elspeth
Oh, I'm glad that your infatuation has at last found a voice.
Peter Mitchell
It has?
Elspeth
We have no more excuses now. We are creatures of the night. We are children of La Luna.
Peter Mitchell
Wait, wait, this isn't right. We're breaking all the rules of propriety.
Elspeth
Oh rules, rules, rules are meant to be broken. Oh KISS ME!
Peter Mitchell
Wait, what about the girls?
Elspeth
They can't have you!
[A struggle ensues as she passionately attacks him]
Clip 13
Edward's secret plan to enrol little Mary at the Pileforth Academy has been discovered and on his wedding day, at the altar, he must now explain himself to the woman he was about to marry. Awkward!
Edward Hargreave
Look, I... I only did it out of concern for Mary. We're going to be on the road with the play and that's no way for a child to live.
Sylvia Bennington
[Shaking EDWARD off]
Why didn't you tell me?
Edward Hargreave
Because I didn't want to burden you with it while you were dealing with all this wedding confusion. What I did was wrong. Terribly wrong. And I apologise for that.
Mary Bennington
What a crock!
Edward Hargreave
Oh, shut up you little sh*t!
Peter Mitchell
That's it!
[He punches EDWARD in the face and he falls backwards]
Clip 14
The catchphrase of the movie surely belongs to little Mary Bennington. And here it is, edited to make a perfect message tone.
Mary Bennington
What a crock!
Clip 15
Peter & Michael have arrived in Oxfordshire to pay a surprise visit to little Mary. I have to say that almost NONE of Peter's complaints about England are true. At least, not any more.
[PETER & MICHAEL crest a hill in the Oxfordshire countryside in a red Austin Mini]
Peter Mitchell
What's this thing run on... batteries?
Michael Kellam
Last one they had.
[PETER grinds the gearbox repeatedly]
Peter Mitchell
I hate England. I always have.
Michael Kellam
Pete, as long as we're here, let's look on the bright side.
Peter Mitchell
Okay, okay. You're right. I'm sorry.
[But PETER can't seem to look on the "bright side" after all]
The toilet paper's like Reynolds Wrap.
Michael Kellam
That's a start...
Peter Mitchell
It's so damned cold all the time. The only thing that's warm is the ice.
Michael Kellam
[Laughs]
Peter Mitchell
And you know what I hate most? The way they use words like "schedule."
Michael Kellam
And "vitamins!"
Peter Mitchell
Yeah.
[PETER inadvertently drifts onto the wrong side of the road. Which, in England, is the right side of the road!]
Michael Kellam
Other side, Pete!
Peter Mitchell
Damn!
Clip 16
Whilst her possible induction to an exclusive New York school is discussed next door, Mary joins a class for the morning and creates a family portrait in crayon.
Teacher
Ooooh, lookit! Mary's drawn a picture of a family. Isn't that wonderful? That's wonderful, Mary. Is that you?
Mary Bennington
[Nods]
Teacher
Yeah? Is that your Mommy?
Mary Bennington
Yes.
Teacher
And... who's that?
Mary Bennington
That's my biological Daddy.
Teacher
Oh. Who's that?
Mary Bennington
That's my one honorary Daddy and that's my other honorary Daddy. We all live together.